Toy Cameras!

When I started down the analog photography path, I kept seeing articles and listening to podcasts talking about “Lomo this” and “Holga that” and wondered, “What is so special about these cheap plastic cameras?” I figured if you wanted light leaks and distorted photos, you whip out your iPhone, shoot some photos, and run them through VSCO! Why bother with film and these defective plastic cameras if you wanted to take imperfect, “retro-looking” photos? I had to know what the buzz was about, so I bought one!

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The FPP Debonair

Enter the Film Photography Project’s PlasticFilmtastic Debonair 120. A mass produced Chinese all-plastic camera (lens included) with a fixed f8 aperture, 1/100s (sunny) or 1/60s (cloudy/flash) shutter speeds, a hotshoe for a flash, and 3 focus settings (one guy, two guys, mountain). A bare-bones, no-nonsense camera whose sole purpose was to provide Chinese families with simple tool to capture treasured moments on film.

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Lomo Color Negative 100 ISO

Simplicity. That’s the best thing about this camera. No need to adjust much, if anything related to exposure. Simply compose, focus (debatable on whether or not the focus ring does anything substantial enough to notice) and fire. I’ve put three rolls of Lomography’s 100 ISO color film through my camera and I love the results so far. Lomo’s color film is pretty great in the harsh Florida light, and did an excellent job giving me a kind of retro/expired film looking vibe, which fits perfectly with this camera. This film, coupled with the camera’s penchant for subtle, unpredictable light leaks makes this a perfect blunt-force photographic tool for capturing a lo-fi lomographic look that I happen to like. This camera is also a great way to dip your toes into the multiple exposure pool!

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Light leaks and lens flares galore!

If you are a perfectionist and must have precision tools to do precision photographic work, this camera is not for you. However, if you’re looking for a fun camera to throw in your bag before heading to the beach or an outing with friends, I cannot recommend the FPP Debonair enough. It makes photography fun! When I’m shooting with it, I don’t worry about nailing my focus or exposure, I simply focus on the moment and the scene I’m trying to capture. It brings me back to why I started photographing in the first place, the sheer joy of taking a picture! If you don’t own a toy camera, do yourself a favor and grab one, whether it’s from the kind folks at the FPP or wherever you purchase your camera gear. You won’t regret it, and with any luck, you’ll have as much fun with yours as I do with mine!

Cheers!

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Newsflash: I’m Cheap.

Well, maybe not cheap, but I don’t have a ton of disposable income, which is why I have to browse the bargains for gear to help me achieve what I want out of my photography. Here are three extremely inexpensive things I find indispensible:

1. A notebook

$0.69 at Wal-Mart. I like to use mine to record exposure data and notes about photos I’ve made or possible locations for photos I have yet to make. A flexible, yet durable, plastic cover helps it not get soggy taking it in and out of the camera bag on wet days, and it stays on the notebook (unlike some other composition-type notebooks). Oh, I forgot to mention it’s also narrow-ruled. Cancel your Field Notes subscription, those folks played you like a chump.

2. L-Plate Bracket

The ball head on my also-cheap tripod is fantastic for what I paid for it, but trying to orient it to shoot portraits is an absolute pain-in-the-neck. My penny-pinching solution? This L-plate bracket I bought from Amazon. Made from “aluminum alloy” (whatever that means), it’s lightweight, sturdy enough to support my Mamiya m645, and at $6.41 (no, that is not a typo) you’d be insane to not pick one up. I can buy 10 of these for one “high end” model, and I highly doubt those are worth 10x as much as this baby. For the hobbyist on a budget, this is a no-brainer.

3. Circular Polarizer

I live in Florida and glare is a harsh reality. If you don’t own polarized sunglasses in the Sunshine State, you might as well stare at the sun, it’s that bad. So then, why wouldn’t I have a pair of sunglasses in my kit to help my camera see better during those sunny days? This circular polarizer is another one of those tools that I could break or lose a few times before I’ve spent as much as a brand name polarizer.  While I haven’t done the pixel-peeping research to truly compare images, at normal viewing the image quality is on par if not better with a more expensive polarizer I owned and dropped. It’s definitely worth the $12 I paid for it, and then some.

So there you have it! Three budget solutions for pieces of gear we all need. If you’re like me and just love to get out and shoot, you really can’t go wrong with any of these. Now, I know that certain things like filter and tripods, you truly do get a better product when you pay a little bit more, but for someone like myself who is new to shooting film and is still getting a handle on exposure, composition, and the other nuts and bolts of photography, it makes more sense for me to spend less money to make the same rookie mistakes. If you have any comments or suggestions for other cheap, but useful gear, hit me up on Twitter at @AnalogHobbyist!

Cheers!

 

Quick Hits

I haven’t posted in over a week, so I thought I’d give a few quick updates on what I’ve been up to!

 Camera Test Driving!

A friend of mine that collects film cameras has been gracious enough to let me borrow a few! I got my hands on a Yashica-Mat LM, a Minox 35 GL, a Yashica Lynx-5000E, and an Olympus-Pen EE and have only managed to shoot a few frames on each so far. My goal over the next week is to exhaust the roll in the Yashica-Mat and send that roll and some other exposed 120 I have to my local lab for development. Reviews of each camera are forthcoming!

I Bought a New Camera!

I mentioned I had my eye on a Mamiya RB67 medium format set up, but I decided to buy a Mamiya m645 instead. The m645 is slightly smaller, a bit more portable, reasonably handhold-able, and the entire kit including lens was as much as the RB67 body alone. I have been extremely busy with work since it arrived, so I wasn’t able to take it out shooting until today. It took a little getting used to the size and heft, but the satisfying sound of that massive shutter and mirror flapping when I press the button put a huge, dopey grin on my face! Definitely a new favorite in my stable of cameras!

Hunting for a New Film Stock!

I’m on the look out for a new black and white film stock to shoot that’s not manufactured by Kodak, Ilford, or Fujifilm. I am super-interested in what the gents at Silberra are up to and will most likely throw money at their Indiegogo for a few rolls of their 50 and 100 ISO panchromatic films. Kosmo Foto is another company I’m keeping an eye on. They sell a modified Agfa emulsion that looks sublime!

Worth a Read!

Japan Camera Hunter’s take on Fujifilm’s news

Superia X-Tra 400 was the first film stock I put in my Canon AE-1 Program when I first got into film, and it makes me sad to think it looks like it’s on it’s way out.

Not Photography Related (But still good!)

I listen to a few podcasts and More Perfect from Radiolab is one of the best around. It’s a podcast that centers around the judical branch and it’s history as an institution. Season 1 was incredible and I just started on Season 2!

That’s all for now! Cheers!

 

Photography Book Review #1

This is the first installment in a series of what I hope will be many photography book reviews. I’m keeping the category broad and will touch on everything from photo books by photographers, to instructional texts, to books that relate to issues surrounding photography. I may even throw in some non-photography books just for kicks! (I said it would be broad!) So, sit down and dig in to some tasty film photography goodness!

First up:

Light and Film: Revised Edition

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Light and Film: Revised Edition

Published in 1981 by the folks at Time-Life publishing, this book is the first in the “Library of Photography” series- a series of textbook-like volumes that explore the many aspects of photography. This book is a great intro to the world of shooting film and touches on subjects ranging from the artistic choices photographers make when photographing a scene, to what film physically is and how it works. Using photographs from professional photographers as examples, the writers illustrate how the different legs of the exposure triangle (ISO, aperture, and shutter speed) affect the final image in very easy to observe ways. As someone who has been shooting film for a very short period of time, I found these examples extremely helpful. Before reading Light and Film I had tenuous grasp of the exposure triangle, but had a hard time visualizing the effect changing the shutter speed or aperture had on the photo, aside from motion blur of slow shutter speeds and that sweet, sweet bokeh of a wide open aperture we all know and love. Time-Life had some of its staff photographers shoot the same scene, changing only the exposure triangle variables, creating some excellent, easy to identify examples for readers to observe the differences.

 

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Making an Image in Silver

Another aspect of this book I really enjoyed was the brief history and evolution of photography from its earliest days, to the modern emulsions and technology of the early 1980s. And, to be clear, not a whole lot has changed in the way of film since this book was written. Sure, there have been some advances in technology like better metering and autofocus, but film itself has changed very, very little since the days of New Wave, acid-washed jeans, and that Flock-of-Seagulls hairdo my uncle Bob rocked in high school. Reading about the journey film has taken from the earliest daguerrotypes, to the modern emulsions that manufacturers are producing today was illuminating and gave me a new appreciation for how easy it is to go out and make an image today. It definitely provided me some motivation to take better care when composing and exposing a scene.

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NEIL LEIFER: Victor and Vanquished, Lewiston, Maine, 1965

 

The area I learned the most in from this book was regarding using artificial light to illuminate a photographic scene. Everything from on-camera flash, to complex off-camera remote-trigger rigs and the effects they can provide was absolutely fascinating. Time-Life was the big photographic dog in town when they were publishing this series of books, so they are able to use some very iconic images to help explain lighting and its uses. Examples like the amount of strobes it took to photograph Pope Paul VI in Yankee Stadium to the iconic above-the-ring fisheye shot from Ali’s first-round K.O. of Liston in 1965 absolutely blew me away. I definitely took photos like that for granted and chalked their “iconic-ness” up to access to the event itself, failing to understand the amount of time, preparation and skill it takes to be lucky enough to even attempt to capture an image like either of those.

In conclusion, this a great book for the serious amateur looking to build a great foundation in photographing with film. I will most definitely be diving into the rest of the “Library of Photography” series, and although I checked this book out from the library, I think it’s worth owning and will be on the look out for it in used bookstores and on eBay.

Unitl next time, cheers!

 

 

Updates/Starting Anew

It’s been a minute since I’ve posted anything to the blog, and I really don’t like that I’ve become a stop-start blogger, but finding motivation to shoot or write anything has been tough lately. I’m going to use this post as an opprotunity to reset and start fresh, while also providing an update on what’s been going on and what I have planned.

Digital No More! (For now)

First, I traded in my A6000 for a medium format (Mamiya RB67 Pro-SD) camera, so now I am 100% film! I did this mostly because, although I really like shooting digital and the instant gratification it provides, I was going nuts because I wasn’t churning out photos that I liked on digital on a consistent basis. I am very much a product of the digital age and I fall into the trap of constantly comparing myself to people who have been at this much longer than me. Social media is a great tool, but I need to work at my own pace in order to generate the work I want to be associated with. I believe that being more thoughtful with my subjects and compositions will help. I also really like working with larger negatives, and getting a 120 format camera that shoots 6×7 felt like the right move. I’ve been drawing a lot of inspiration from YouTubers like Ben Horne and Alan Brock, both of whom are large format shooters, and I like the idea of slowing down, being in nature and appreciating the moment around the image, not just the final product. This change of pace is going to take some herculean restraint on my part, since I am usually so wrapped up in the outcome instead of the process most of the time! All that being said, I plan on buying another digital camera in the future, but for the time being, I’m an all-analog guy!

I’ll Follow You Into the Dark(room).

Processing my own film and making my own prints are things I’ve been reading and thinking a lot about lately. They’re two things I immediately saw as the next steps on my film journey once I was able to wrap my head a little bit further around the depth and breadth of the film photography universe. I’ve dabbled with home developing with mixed results and I even bought a scanner to help me digitize my negatives, but I wanted to get started in printmaking and other darkroom practices. Luckily, a local art center offers a six-week class that does just that! I’m looking forward to getting started and will make sure to keep you posted!

Knowledge is Power

Recently, I renewed my library card and started checking out books on photography from my local library. The main branch of the library here in Tampa has quite a large photography section with myriad reference/text books on all aspects of shooting and processing film, as well as many photo books by some of the greats (Walker Evans, Clyde Butcher, Ansel Adams, Eugene Atget, etc). Roaming the stacks brought me back to the days when I would go to the library with my mom or grandma and spend hours looking for books on whatever my interest at the time happened to be. It was a great change of pace and has lead me to make my first “gear recommendation”- a library card! Being new to photography, and more specifically film photography, I need to learn as much as I can, and having access to great books on the topic is a must! I know there are a lot of great websites and blogs out there, but I get a lot out of holding a book in my hands. Having a physical copy of something to reference helps me learn the material a bit easier!

Well, that’s all for now! I’m working on ideas for projects and future posts, so until the next update, Cheers!

Missed Opportunities

I miss a lot of opportunities to take photos. Some I miss because of my schedule, others I miss because I’m lazy, but two nights ago was the first time I missed a photo opportunity because of sheer timing.

I’m driving home around 8:15. Ahead of me, a nasty incoming thunderstorm, the clouds  low and pitch black. Behind me, a brilliant sunset, the sky lit up in an intense golden hue that, coupled with the low clouds, was creating a crazy lighting situation on everything, including the glass and steel of the high rises downtown. My camera was with me in the car, loaded with Ektar and ready to rock. I was passing by the exit for the perfect spot to capture the light off of the buildings. The photography gods had smiled upon me!

I turned off and parked a few blocks away from where I wanted to shoot. I knew there was maybe 10-15 minutes of light left so I hustled to get to my spot. But, unfortunately the light deteriorated and I didn’t get a chance to take any photos.

I was bummed! Even though I hadn’t planned to shoot, the conditions were so perfect that I expected to get these photos, and I think that’s where my problem lies: expectations.

When I set out to do something, I have a good idea of  the end result, and that can definitely be a disadvantage in photography. It means I do my homework and do a thorough job of scouting where I’ll shoot, but I will be the first person to talk myself out of shooting because conditions aren’t 100% perfect. I then get demotivated to do anything photography related. It’s a vicious cycle.

The situation with the awesome lighting conditions was a step in the right direction to correct this perfectionist thought process. An opportunity presented itself and I tried to take advantage of it. It didn’t work out, but it was a good lesson in how quickly light can change and how risk is necessary to capture good photos. It’s also a good thing for me to keep in mind that this isn’t the last Florida thunderstorm at dusk I’ll ever experience, so I’ll have to make the most of the next one!

 

Why I Shoot Digital Too

The first camera I bought was a Canon AE-1 Program. I chose it because I was always fascinated by the AE-1 my dad had, and the black and white photos it captured that hung in our house. Photography was always a thing that interested me, but was never something I thought about delving into until I was in my late 20s.

When I received my AE-1P, I put a few rolls of film through it and immediately fell in love. The look of the photos, the feel of the camera in my hands, the satifying CLACK it makes when I press the shutter! The whole process of taking photos with a film camera is so sensorially fulfilling and addicting to me! I can be having a terrible day, but after I fire off a couple of frames on that clunky Canon, I instantly feel better.

So why, if I love film so much, did I buy a digital camera a few months later? Short answer? I didn’t want to travel with film. My girlfriend and I had planned a 10 day trip to Europe in April of this year, and we were planning on travelling light. I had no experience travelling with film before and all of the articles and how-tos I read on the subject didn’t make it seem all that appealing. I debated about what I wanted to do photographically on this trip and decided digital was the way to go. I started looking at what I wanted in a digital camera and ended up choosing the Sony a6000. It had all of the features I wanted (electronic viewfinder, interchangeable lenses, articulating screen, compact size, 24.5 MP sensor) and nothing I didn’t need (4k video, full frame, hefty price tag, etc). In my opinion, it’s the perfect digital camera for me at the moment.

Another unintended benefit of buying a digital camera is how much I’ve learned about photography while using it. I use my Canon FD lenses on it with an adapter (the kit lens is pretty bad for photography), and the muscle memory training of manually focusing and adjust the aperture, while seeing immediate results in the viewfinder is awesome! Seeing each variable and its effect on the photo in real time has helped me to understand exposure a lot better. Shooting digital has also freed me up to be more creative and adventurous with my photography, which has made me a lot more confident when I shoot film. I can experiment on digital as proof of concept, then if I like what I see, I’ll shoot a few frames on film. In-camera black and white JPEG treatment also helps me understand what to look for when shooting black and white film. The black and white JPEG helps me to see the contrast and geometry of a scene better than I can see the same scene in color.

This isn’t post isn’t “digital vs. analog” or anything like that. I love shooting photos on both formats and I derive different things from both formats. I like digital for the immediacy of results and because it shortens my learning curve in certain areas of photography. I like film because of the look and feel of the product as well as the sensation shooting brings me.

What the digital vs. analog debate boils down to is a debate over formats, which is silly. Cameras are tools to accomplish a task. I’m not going to take an 8×10 camera to shoot candid photos at a friend’s birthday party, the same way I’m not going to shoot photos I intend to blow up to large prints on a smaller format like 35 or 110. Digital has taught me much about photography, and film reminds me of the importance of slowing down and enjoying the moment.

In short, digital helps me learn and film helps me grow, so there will always room for both formats in my camera bag!